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Dracula’s Widow (1988)
The Coppola family seems to have cornered the market on vampire films. Between Francis Ford’s blockbuster, Bram Stoker’s Dracula (1992), and Nicolas Cage’s darkly manic performance in the now cult classic Vampire’s Kiss (1988), it’s easy to forget Christopher Coppola’s low-budget horror comedy, Dracula’s Widow (1988). But I like an underdog, and this uneven effort…
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Dracula’s Daughter (1936)
If you’re interested in the history of queer representation in film, then I recommend Dracula’s Daughter (1936). Like so many movies from this archive, it’s a frustrating watch because same-sex desire must be expressed circuitously, rendered monstrous, and ultimately punished. I don’t think I’m spoiling anything by saying that the lesbian vampire dies in the…
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Count Yorga, Vampire (1970)
Vampires in fiction and film often have a rarified air. Their condescension makes sense: When you’re of aristocratic birth (which most of them are) and immortal, you have travel and educational opportunities that position you above the masses. But of all the superior vampires on the scene, Count Yorga has the most (and best) attitude.…
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Death Spa (1989)
After gorging myself on Thanksgiving dinner and experiencing the predictable postprandial bloat, my thoughts turned to health and resolutions for the New Year. But instead of resolving to join a fitness club–let’s not get crazy here–I committed to watching a cult classic that explores the horrific possibilities of the gym: Death Spa (1989). Starbody Health…
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Let’s Scare Jessica to Death (1971)
Let’s Scare Jessica to Death (1971) is the most underrated horror film of the 1970s. It elegantly integrates several genre subcategories, features an original monster, and introduces us to arguably the greatest horror heroine of all time. Artistically accomplished, it’s also a great popcorn movie with plenty of those quirky flourishes that give 70s horror…
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The Night Flier (1997)
Just when I thought I’d seen every decent vampire film, I came across The Night Flier (1997). This hidden gem is based on a short story by Stephen King, which I admit, I haven’t read. Still, I can see and appreciate King’s craftsmanship–the plot is so sincere and artless that it’s clearly his design. In…